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Bollywood means Hindi-language film industry based in Mumbai, India. It is considered to be the largest in the world in terms of number of films produced. The term is often incorrectly used to refer to the whole of Indian cinema; it is only a part of the Indian film industry. Bollywood is generally referred to as Hindi cinema. There has been a growing presence of Indian English in dialogue and songs as well. It is not uncommon to see films that feature dialogue with English words and phrases, or even whole sentences.

The term “Bollywood” has origins in the 1970s, when India overtook America as the world’s largest film producer. The name was created by conflating Bombay (the former name for Mumbai) and Hollywood, the center of the American film industry. However, unlike Hollywood, Bollywood does not exist as a physical place. Though some deplore the name, arguing that it makes the industry look like a poor cousin to Hollywood, it has its own entry in the Oxford English Dictionary.

Background of Bollywood

First Silent movie of Bollywood

Raja Harishchandra (1913), by Dadasaheb Phalke, was the first silent feature film made in India. It was a major commercial success. By the 1930s, the industry was producing over 200 films per annum.

First Bollywood sound movie

The first Indian sound film, Ardeshir Irani’s Alam Ara (1931), was a major commercial success. The 1930s and 1940s were tumultuous times: India was buffeted by the Great Depression, World War II, the Indian independence movement, and the violence of the Partition. Most Bollywood films were unabashedly escapist, but there were also a number of filmmakers who tackled tough social issues, or used the struggle for Indian independence as a backdrop for their plots.

First Color Movie of Bollywood

In 1937, Ardeshir Irani, of Alam Ara fame, made the first colour film in Hindi, Kisan Kanya. The next year, he made another colour film, Mother India. However, colour did not become a popular feature until the late 1950s. At this time, lavish romantic musicals and melodramas were the staple fare at the cinema.

For more information see here

http://24×7entertainments.blogspot.com/2009/08/bollywood-center-of-indian-cinema.html

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For any self-respecting nation, patriotism of its citizens is its heart-beat. If it is there, not only is the nation’s continued existence across centuries and millennia guaranteed, but is progressive evolution is also ensured. It if is not there, the nation suffers decline, debility and eventual doom.

India is fondly called ‘Bharati’ by its people. The name harks back to its epic past, whose beginnings have defied determination. Hence, India evokes a sense of timelessness. Of course, India has been changing perpetually ever since its hoary antiquity. It has also suffered such vicissitudes of history as have pushed several other ancient nations and civilizations into extinction. How then has India faced all these internal changes and external assaults, and yet managed to remain alive as a vibrant and ascendant nation in the 21st century? The answer is: Patriotism – the common emotion and self-awareness that unites our people in spite of the unmatched diversity they exhibit.

As an art form that strikes the chords of both emotion and intellect, the power of cinema is unmatched. Naturally, Indian cinema has contributed immensely to the cultivation of this uniting and uplifting feeling of nationalism. Patriotic films, as a special and much-admired genre of Indian cinema, have had a tremendous impact on our people, cutting across religious, regional, linguistic and economic identities. Moreover, they have also proved their unsurpassed power of communicating both to educated and illiterate masses.

For most Indians, cinema is the enduring source of the image of their nation as a vast and diverse land bound by the Himalayas in the north, surrounded by oceans on three sides, girdled by sacred rivers like the Ganga, Yamuna and Godavari, and blessed with captivating natural beauty and rich resources. For them it is also the primary source of knowledge about our national heroes, martyrs, the struggles and sacrifices of our forefathers, the work of our social reformers, the wars of the pre-and-post-Independence era, including the recent and ongoing war against cross-border terrorism, and our achievements as a free and democratic nation.

Thus, few can contest Indian cinema’s, particularly Hindi cinema’s, unmatched contribution to strengthening the bonds of national integration, countering divisive feelings, educating the people about our shared national history and, through all this, re-enforcing in them pride and love for the Motherland.

Ananya Bharati is a documentary that encapsulates the spirit of patriotism that the Hindi film industry has captured on celluloid and nurtured in the hearts of Indians. Produced under the banner of my company, Swayam Infotainment, I thought the most apt beginning to this documentary would be ace musician A.R. Rahman, bowing to the motherland with his rendition of Maa Tujhe Salaam. This forms a part of his album VANDE MATARAM produced by BharatBala Pictures. Ananya Bharati categorises Indian patriotic Indian patriotic films primarily into three categories. The first category comprises films associated with terrorism. The second, features films about martyrs of the freedom struggle and events linked to the partition of the country and the third category has war films that depict the India-Pakistan conflict.

Ananya Bharati also talks about films on nation-building like the recently released Swades. The documentary concludes with an emotional punch in the form of a bouquet of patriotic songs that have captured the national imagination.

Patriotic Films – The Beginning

The Hindi film industry’s adoption of patriotic themes happened at its very inception, when India was engaged in a unique struggle for freedom from the British colonial rule. The first film which boldly ventured in this direction was Sohrab Modi’s Sikandar. This 1941 film carried the message of patriotism indirectly by praising the valour of King Porus in his war against the invader, Alexander the Great. Other films of this era were Bandhan (1940) and Kismet (1943).

When freedom dawned on 15th August 1947, ending 200 years of alien rule, the Indian film industry was there to celebrate this historic transition. The air those days was filled with the hopes and dreams of building a New India, most inspiringly articulated by our first Prime Minister Pandit Jawaharlal Nehru. Bollywood captured this mood in films like Naya Daur (1957) and Hum Hindustani (1960). Anand Math (1952), Jaagriti (1954) and Leader (1964) focused on the freedom struggle and the sacrifices made by its martyrs. Some others like Sikander-E-Azam (1965) and Jis Desh Mein Ganga Beheti Hai (1960), through their songs, talked about the greatness of India. Then there were films that were inspired by the violation of the country’s barriers by its enemies. Three notable films made on the subject were Haqeeqat (1964), Prem Pujari (1970) and Lalkar (1972). Of these, Haqeeqat, which is about the Chinese aggression in 1962, has left a lasting impact.

Some recently made films on the subject:

Also set against the backdrop of the Partition is the 2003 film Pinjar, a cinematic adaptation of Amrita Pritam’s famous novel of the same name, by Dr. Chandraprakash Dwivedi. Incidentally, he had made a highly popular TV serial Chanakya, which chose an Indian hero of ancient times to transmit many contemporary messages. Showing the trauma of partition, the film powerfully conveyed that atrocity does not have any religion and sounded the warning that history must not be allowed to repeat itself.

The great revolutionaries of the freedom movement like Sardar Patel, Udham Singh and Vinayak Damodar Savarkar inspired many film make to make films on them. Veer Savarkar’s inspirational life was the subject of a film – Veer Savarkar by Ved Rahi in 2001.

Any description of the films in this category would be woefully incomplete without reference to Indian cinema’s fascination with the life and martyrdom of Shaheed Bhagat Singh, who kissed the British gallows at the tender age of twenty four. His life story has never failed to inspire the masses. Innumerable songs have been composed about hi, and the youth throughout the country have idolized him. He ahs been a symbol of bravey and nationalism. Manoj Kumar’s SHAHEED (1965), which contained the immortal song Mera rang de basanti chola, was the first of the series. The year 2002 alone saw five films added this series! Two of them featured mega stars in the lead role – Ajay Devgan in The Legend of Bhagat Singh and Bobby Deol in 23rd March 1931 – Shaheed.

ProVFX Visual Effects and Editing School has been written by Pranay Rupani who is a Freelance Writer

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Bollywood is India’s most remarkable industry. There are other budding Industries as well, but it is Bollywood which attracts most of the Indians, due to the fact that all the Bollywood movies are made in Hindi – which is a national language of India. Weather it is a rich businessman or a poor worker, Bollywood delivers entertainment to all of them, it does not recognize caste or creed. A typical Bollywood movie is packed with romance stories, song and dance, daring actions and most of all, family values which can be watched by purchasing a small ticket.

Bollywood was not always known by this name. Formerly known as Bombay film Industry, it was given this name because it was an Indian version of Hollywood. By uniting Hollywood and Bombay came out Bollywood, a new symbol of growing film industry. It was later that Bombay became Mumbai, but the name Bollywood stayed in the hearts of Indians and is the same ever since. The establishment of the Indian cinema has given Mumbai an enormous credibility, Hindi movies were always a matter of pride and efforts.

The influence of Bollywood is present every where in India and abroad. Movie posters and posters of products endorsed by stars can be seen in every lane, intersection, empty walls or roads. The love of Bollywood echoes everywhere in the form of music of ringtones, blaring car horns, wedding celebrations, etc. One of arenas where Bollywood has made complete impact is fashion industry. People like the way actors dress and often try to imitate them with certain clothes. As a result, a teeming Fashion industry has emerged at Mumbai and has given fame to all the Indian traditional clothes worldwide as Saari.

While Bollywood films have universal appeal, it serves a bigger purpose! Bollywood gives rise to thousands of jobs for Mumbaikars in every segment. From Movie production to set design, music creation to action stunts, film promotions to multiplexes, Bollywood produces substantial work and opportunities to succeed. Every newbie who is dedicated to Bollywood is rewarded with fame and riches. Bollywood has created many success stories, several stars as Shahrukh Khan and Akshay Kumar started out here as nobody. While there are sacrifices, it is much easier to taste fame.

As the choices and preferences of movie goers change, it opens new avenues for Bollywood. Young producers implement new ideas and concepts to draw fans in the theatres. Bold topics are being embarked upon and realistic value of Bollywood movies is considered very important. In a way Bollywood is changing its face for a newer generation, as it has done for centuries. The establishment of Bollywood industry has proved to be the strongest influence in our level of thinking as Bollywood movies deliver a chance for cine fans—a way to step out of their own routine lives and step into the lives of other, usually colorful people. In short, we may love it or we may criticize it, but Bollywood is an eternal part of every Indian’s life.

Raisa Raima asked:


The increasing popularity of Bollywood could be seen in the fact that the tickets in the multiplexes get booked even before the films are released. Its craze could be seen in every nook and corner of India.

Bollywood Cinemas came in India on July 7 1896, when at the Watkins Hotel in downtown Bombay, the short films of the Lumiére brothers were shown. It became a huge hit among the audience. Then again in the year 1913, DG Phalke went on to London on a trip, where he got inspired by movie named “The Life of Christ”. After returning back to India this successful painter made the nation’s first feature film Raja Harishchandra, which was scantly based on Indian religious epic The Mahabharata. The film became a household name for years and since then Indian cinema has never looked back.

After a gap of 18 years, sound came to Indian cinema. It was the directorial debut of Ardeshir Irani and it was him whose vision got culminated into Alam Ara. The movie established song and dance as the narrative flow. The film industry was then split into different languages broadly into Hindi, Tamil and Telugu.

Today, Bollywood movies come in common parlance with Mumbai-based Hindi film industry. The industry is quiet big as compared to others. It churns out approximately one thousand movies a year. Recently, the world has seen Bollywood movies’ entry in the Oxford English Dictionary. Well, with the passage of time and with the technological endeavour the movies have also changed their forms. Today, we could find the growing number of English words in the latest Hindi movies.

With online shopping catching up the Indian market, we could see the vast difference in the marketing techniques. Now the consumers can buy their favourite Bollywood DVDs sitting in the comfort of their homes. Online shopping has redefined the whole process of shopping for the Indian consumers. People now do shopping, banking and even trading though the Internet. This not only saves our precious time but also helps us to cut down the travelling fuel cost. You don’t have to stand endlessly for your favourite Bollywood DVDs anymore; the shop is just beneath your fingertips. You can read previews, reviews and watch trailers of the movies online. There are a number of websites that can offer rented DVDs as well to the customers.

Boris Tomson asked:


Hindi Songs, Hindi Song Videos, Hindi Movie Songs

Bollywood (Hindi: ???????, Urdu: ???? ??) is the informal term popularly used for the Mumbai-based Hindi-language film industry in India. The term is often incorrectly used to refer to the whole of Indian cinema; it is only a part of the Indian film industry.[1] Bollywood is the largest film producer in India and one of the largest in the world.Visit to Hindi song here http://hindi-music-song.blogspot.com



The name is a portmanteau of Bombay (the former name for Mumbai) and Hollywood, the center of the American film industry. However, unlike Hollywood, Bollywood does not exist as a real physical place. Though some deplore the name, arguing that it makes the industry look like a poor cousin to Hollywood, it seems likely to persist and now has its own entry in the Oxford English Dictionary.

Bollywood is commonly referred to as Hindi cinema, even though “Hindustani”, understood as the colloquial base common to both Hindi and Urdu, might be more accurate. There has been a growing presence of Indian English in dialogue and songs as well. It is not uncommon to see films that feature dialogue with English words and phrases, even whole sentences. There is a growing number of films made entirely in English.[5]

Raja Harishchandra (1913) was the first silent feature film made in India. It was made by Dadasaheb Phalke. By the 1930s, the industry was producing over 200 films per annum. The first Indian sound film, Ardeshir Irani’s Alam Ara (1931), was a super hit. There was clearly a huge market for talkies and musicals; Bollywood and all the regional film industries quickly switched to sound filming.

The 1930s and 1940s were tumultuous times: India was buffeted by the Great Depression, World War II, the Indian independence movement, and the violence of the Partition. Most Bollywood films were unabashedly escapist, but there were also a number of filmmakers who tackled tough social issues, or used the struggle for Indian independence as a backdrop for their plots.Visit to Hindi song here http://hindi-music-song.blogspot.com